OPENING DURING THE SPINNEREI GALLERIES RUNDGANG
SATURDAY, 14. SEPTEMBER: 11 AM - 7 PM
SUNDAY, 15. SEPTEMBER: 11 AM - 5 PM
In his debut solo show with the gallery, upcoming & next generation painter Gustav Sonntag presents us a series of paintings which have the urban street as their stage of event. Within this visual journey, painted in brusque and fast brushstrokes and a critical realism with surrealist tendencies, the audience is confronted with multiple scenes, themes and characters of everyday urban life from coming of age, politicization, addiction, violence, poverty, hope and milieu specific notions of respectability.
We are pleased to announce our participation in this year's edition of Enter Art Fair in Copenhagen.
For this occassion we decided to present a double solo with works by Rachel von Morgenstern and Claudia Piepenbrock - two distinct yet visually alluring and in terms of space and spatiality highly sensitive positions from our current gallery program.
Both artists can look back on highly acclaimed exhibitions in prominent public institutions such as the renowned Gerhard Marks Haus in Bremen (Piepenbrock, 2019) or the Kunstverein Friedrichshafen (Von Morgenstern, 2020), to name just two examples. Claudia Piepenbrock in particular has been awarded prestigious prizes such as the Karin Hollweg Prize from Bremen (2016) or the TISA Foundation Prize (2020/22).
We are very pleased to announce the nomination of Katrin Brause for the renowned Pauli Prize (formerly Kunstpreis der Böttcherstraße). As part of the nomination a selection of Katrin Brause’s paintings will be exhibited at Kunsthalle Bremen from August 24 to October 13, 2024.
Katrin Brause (*1972 in Leipzig, lives and works in Leipzig) was nominated by Anna Wesle, Museum Franz Gertsch (Burgdorf, CH). The artist uses a realistic style yet painterly open style to create still lifes with tangible presence. Her subjects range from weathered street view facades and interiors to discarded objects of everyday life such as chairs or fruit boxes, allegedly revoked of their function and relevance. In these depictions we find subtle commentary and at times profound allegories of human biographies.
To learn more about the prize visit the website by Kunsthalle Bremen here:
https://www.kunsthalle-bremen.de/de/view/exhibitions/exb-page/pauli-preis-2024
We were pleased to present the first solo exhibition by Raffael Bader with the gallery. The Leipzig-based visual artist graduated from the Academy of Fine Arts, Leipzig, Germany, in 2019. In 2020 he began exhibiting internationally, including Switzerland, the USA, the Netherlands and very recently in Japan.
Raffael Bader paints landscapes in which the act of seeing, feeling and representation blend in to create something new that stimulates the imagination. He once told me that very often he creates a painting he would like to see himself at this very moment. During his travels, Raffael fills numerous notebooks with drawings of landscapes and their elements such as plants and other details. For his landscape paintings (of various dimensions) he uses oil paint and oil crayons resulting into richly textured compositions with sometimes delicately thin layering or at other times urgent brushstrokes of a color palette which is not afraid of tender pastel hues and stark contrasts. His compositions represent a poetic idea of shifts between recognition, spatial or imaginary openness, dreamlike con-figurations and contradicting formations. The paintings appear almost as a longing desire towards the landscapes which Raffael depicts, to engage and move within what’s presenting itself before the eye.
We were delighted to present the exhibition Cruel Fruits by Rachel von Morgenstern which was her first solo show in Leipzig. After a first appearance in our group show TAYT in 2023, which explored and juxtaposed four different abstract and non-figurative painterly positions, Rachel von Morgenstern this time presented most recent paintings and scultpures from her studio.
Creating delicate and intricate non-figurative compositions on polyester, which appear free, momentary and levitated, can be described as Rachel von Morgenstern's signature style. Her latest compositions invoke a strong sense of spring with new compositions in which the colorful elements not only float and move but appear in utmost tenderness. Some paintings bring the joy of blossoming, others a playful musicality to mind. We invite you to make your very personal associations in this exhibition of abstract paintings and sculpture.
The show was on view from March 9, 2024 through April 20, 2024.
With CONCEPT ROOM, Klara Meinhardt opens the 2024 exhibition season on the occasion of the winter tour of the Spinnerei Galleries. The exhibition presents the artist's latest works, which range from heavy steel and concrete works to fine, deep blue cyanotypes on paper and canvas.
In CONCEPT ROOM, Klara Meinhardt continues to explore the human body and our relationship to it as well as our cultural practices and techniques around it. Yet, in the largest room of the exhibition, another relationship is addressed: between animals and humans. Cyanotypes which are taking up the patterns of animal fur, animal scales and skin adorn the walls of the room. The two heavy, steel chairs invite visitors to take a seat and look at the prints and sculptural objects, which are presented like hunting trophies, to ponder the role of the natural world as an appropriated good in human’s surroundings, environments, attitude, and practices.
The show opens on January 13, 2024, from 11 am until 7 pm.
We are pleased to announce the new exhibition of the artist David Borgmann. Under the title KASKADEN the Leipzig based painter, presents new works in which he sensitively continues his examination of the genre of landscape painting on the one hand while addressing the richness in the tension between representation and abstraction, illusionism and autonomous structural forms on the other.
From his very own painting technique, Borgmann develops pictures with structural and surface formations that sometimes offer us concrete points of orientation in the pictorial space, sometimes lead us into spatial situations that challenge our Western idea of landscape representation, or even, by depriving us of a fixed point of view, deliberately withdraw accessibility at first and in this way encourage us to look carefully.
The results are elegant pictorial works in David Borgmann's unmistakable aesthetic, which understand the landscape painting as a painterly space of possibility and thereby stimulate us to reflect on cultural and individual expectations of pictorial works, or the quick circumstantial recognition of them, while looking at them.
We are excited to announce the new solo exhibition by Leipzig based painter Sebastian Hosu. After solo exhibitions in Hong Kong (China) and Bukarest (Romania) within the last 18 months, Sebastian Hosu will present 20 new works, mainly painting on canvas and woodboard. The show will feature works which span different degrees of abstraction and figurative composition in Hosu's expressive signature style, all committed to the question of how to re-present movement and motion with the means of contemporary painting. The exhibition will be accompanied with an essay by the London based curator Angeliki Kim Perfetti and will be opened during the seasonal opening of the Spinnerei Galleries at September 2nd, 2023.
We are excited to present the new solo show DOUBLE EXPOSURE by Paul Glaw which opened on June 8, 2023 and is on view until July 22, 2023. In his previous solo show in Leipzig, Glaw spotlighted masculinity and aggression in the 1990s and early 2000s in East Germany. With his new exhibition Paul Glaw presents new paintings, sculptures, and installations to touch the fall, crisis and victimization as a social and cultural phenomenon. Paul Glaw’s artistic work is characterized by a distinctive visual languages of a unique chromatic approach in blue and orange and figurative compositions of both painterly and drawn dimensions. He creates attributes and symbols that form an iconogrophy of its own, for which he fuses symbols and aesthetics from Socialist realism with open, cartoonish and expressive figurative styles. His works explore different forms of collective memory of the years since 1990. They depict the ambivalence of this time and its protagonists as they address anxiety and sorrow, the loss of social institutions, lethargy and violence, structural changes and the rupture in individual as well as collective perspectives towards themselves and the future.
Katrin Brause is a well-known representative of the New Leipzig School. She studied at the Leipzig academy of fine art HGB with Arno Rink and Neo Rauch. Her solo exhibition ›Speranza‹ brings together 19 works whose spatial and aesthetic context is once again the city of Catania in Sicily. From this social-cultural space, Katrin Brause transfers everyday objects as well as arrangements found in the streets — especially the role of faith in people's everyday lives — into contemporary painting. In doing so, Brause creates exceedingly present and multi-layered still lifes, which in turn function as profound allegories of human biographies, human ideas, human thought and action. The objects depicted, such as weathered chairs or used fruit crates, as well as their sceneries, appear banal at first, while their transformation into painting creates thoroughly ambivalent statements.
Wir freuen uns über die aktuelle Ausstellung, die am Samstag, dem 19.11.2022 eröffnet wurde. Gezeigt werden skulpturale Arbeiten von Claudia Piepenbrock, die an der Hochschule für Künste in Bremen studierte und dort als Meisterschülerin abschloss.
Das Interesse der Künstlerin liegt in der intensiven Beschäftigung mit Material, welches sie im Arbeitsprozess so verändert, dass es letztendlich kaum mehr dem Ursprungsstoff ähnelt und sich neue Assoziationen ergeben. Zentrales Thema in Piepenbrocks Schaffen ist die Beziehung von Körper und Raum. Ihre Werke ermöglichen es, Räume auf neue Weise zu erfahren. Dies demonstrierte die Künstlerin zuletzt mit ihrer begehbaren Stahlinstallation auf dem Gelände eines ehemaligen Bergwerks in Dorsten.
This group show is concerned with contemporary abstract painting and features four artists of its latest generation: Rachel von Morgenstern, Carolin Trunk, Selma van Panhuis, and Hannes Heinrich. Each one of them chose abstraction as their preferred mode of expression and work, yet together they form a diverse group with individually characteristic styles, questions, and concerns. Hannes Heinrich is based in Munich and studied at the AdbK in Munich in the class of Karin Kneffel. Rachel von Morgenstern lives and works in Frankfurt and holds a postgraduate degree from the State Academy of Fine Arts in Karlsruhe. Selma van Panhuis studied Fine Arts at the Royal Academy of Arts in Den Haag before she moved to Leipzig where she earned a postgraduate degree in Fine Arts from the Hochschule für Grafik and Buchkunst; today she lives and works in Leipzig. Carolin Trunk studied fine art at Leipzig's art academy (HGB) and is based now in Offenbach. The show follows the question what form abstract non-representational art takes today after its thrilling, rich, and ideologically charged efforts and advancements throughout the 20th century.
In his exhibition Hard Days, Night, Johannes Listewnik presents a series of new works created in 2022. In his artistic work, Johannes Listewnik transfers reflection processes, which are usually captured in written language, into visual language. He gives space to his own thinking in painted and diversely crafted images. Starting from an object of investigation - be it floral still lifes or other forms of everyday and working poetics - he develops pictures with a pronounced dwelling character, which can be read as information containers for reflections on the object itself, on its art-historical contexts and on its present reproductions in painting. A graphic imagery, handwritten as well as painterly interventions, printing and reproduction techniques, and the embedding of foreign sources take on various roles, whose interpretation and reading by the viewer result in an open and fascinating interplay.
OPENING HOURS
Wednesday - Friday, 1 pm - 6 pm
Saturday, 11 am - 6 pm
and by appointment.
ADDRESS
Galerie Philipp Anders
Spinnereistraße 7
Halle 20 D
04179 Leipzig
GENERAL INQUIRIES
info@philippanders.com
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Galerie Philipp Anders
c/o Josef Filipp Galerie
Spinnereistraße 7, [PF 508]
D- 04179 Leipzig
www.philippanders.com
info@philippanders.com
Galerie Philipp Anders
c/o Josef Filipp Galerie GmbH & Co. KG
Amtsgericht Leipzig, HRA 17373
USt-IdNr.: DE 306 875 900
EORI-NR.: DE 4736 8875 7183 197
Komplementärin: RT Beteiligungsgesellschaft mbH
Amtsgericht Leipzig, HRB 22896
Gründungsdatum: 3. Juni 2015
Philipp Anders
Gallery Director
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